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A tribute to the brilliant craftsmanship of one of our most distinguished writers, providing valuable insight into her inspiration and her method
Joyce Carol Oates is widely regarded as one of America's greatest contemporary literary figures. Having written in a number of genres -- prose, poetry, personal and critical essays, as well as plays -- she is an artist ideally suited to answer essential questions about what makes a story striking, a novel come alive, a writer an artist as well as a craftsman.
In The Faith of a Writer, Oates discusses the subjects most important to the narrative craft, touching on topics such as inspiration, memory, self-criticism, and "the unique power of the unconscious." On a more personal note, she speaks of childhood inspirations, offers advice to young writers, and discusses the wildly varying states of mind of a writer at work. Oates also pays homage to those she calls her "significant predecessors" and discusses the importance of reading in the life of a writer.
Oates claims, "Inspiration and energy and even genius are rarely enough to make 'art': for prose fiction is also a craft, and craft must be learned, whether by accident or design." In fourteen succinct chapters, The Faith of a Writer provides valuable lessons on how language, ideas, and experience are assembled to create art.
- Sales Rank: #344572 in Books
- Brand: Oates, Joyce Carol
- Published on: 2004-09-14
- Released on: 2004-09-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .44" w x 5.50" l, .35 pounds
- Binding: Paperback
- 176 pages
From Publishers Weekly
In 12 short thematic essays and an interview, all previously published, the hyper-prolific author of novels (Blonde), story collections (Faithless), plays (In Darkest America) and poems (Tenderness) examines the writing life, aiming to focus on "the process of writing more than the uneasy, uncertain position of being a writer." Oates advises young writers to read widely, takes a nostalgic glance back at childhood influences, waxes poetic on the joys of running and its relation to writing, and tackles the inner trajectories of the creative process. The essays are peppered with anecdotes concerning writers' trials, doubts and influences; these well-selected snippets form the most enjoyable and illuminating aspect of the book. If Oates's own insights don't always live up to the wit and beauty of such quoted authors as T.S. Eliot and D. H. Lawrence, it may be because she gives herself comparatively little room to wrestle with such broad concepts as inspiration and failure. Oates's suggestion that writers as a breed apart may irritate the "ordinary reader" she refers to (whom, she suggests, might not know that "no story writes itself") and may even make writers uncomfortable (to write, she says, is to "invite angry censure from those who don't write, or who don't write in quite the way you do....Art by its nature is a transgressive act, and artists must accept being punished for it"). But Oates obviously understands the faith that writing, that "juncture of private vision and the wish to create a communal, public vision" takes, and young writers especially may find words of wisdom here.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Few can match Oates in the breadth, depth, and passion of her literary experiences and expertise. In her newest and most confiding essay collection, she generously shares the private side of her story-steeped life, musing over the one-room schoolhouse in rural New York State she so loved, the now cellular influence of Alice in Wonderland, and the nearly symbiotic connection between running and writing ("Joyce runs like a deer!" she recalls a boy exclaiming, a memory not as benign as it might seem, given the brute intentions of her pursuers). Art is a mystery, born most often of pain, Oates attests as she shrewdly and beguilingly dissects the quirkiness of inspiration and the unexpected felicity of failure, the enigma of the imagination and the necessity of craft. Gloriously well read and unfailingly curious about those who have shared her obsession, most notably Woolf, Lawrence, James, and Faulkner, Oates is commanding in her knowledge and deeply moving in her candor, such as when she notes that people always ask how she writes so much, rather than why. Donna Seaman
Copyright © American Library Association. All rights reserved
About the Author
Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the PEN/Malamud Award for Excellence in Short Fiction. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Wonderfully helpful.
By Barbara-Helen Hill
I'm finding it wonderful and so helpful. I have not finished it yet because I read it on my iPhone when I'm waiting - in line, or for appointments. If I had it to do over again I'd buy a paper copy.
0 of 0 people found the following review helpful.
Very special book to own and re-read.
By Schmidtty
Joyce Carol Oates. Incomparable writer. Every time you pick it up there is more to learn and discover.
6 of 6 people found the following review helpful.
Very Inspirational
By Cory Fosco
This review was written as an assignment for a graduate school course in the creative writing program at Northwestern University:
"The Faith of a Writer: Life, Craft, Art" by Joyce Carol Oates
Publisher: Ecco
Number of Pages: 176
Year Published: September 23, 2003
Price: Paperback version is $11.95; hardcover version is $21.95 (Paperback is widely available and discounted at Amazon.com; Hardcover version is available through Amazon.com, but via other sellers (used); also available at the Northwestern University Library).
Ideal Audience: This book would be useful in many classroom settings. The youngest audience would probably be high school level junior and senior "Introduction to Creative Writing" students. If used in an undergraduate or graduate level creative writing setting, the essays would be best utilized as both inspiration and models for future individual writing. This would also be very helpful in a "Continuing Education" program, possibly associated with a local community center, library or community college.
Brief Summary: This book contains 12 essays and a brief interview with Oates (led by Greg Johnson). The essays explore Oates' inspirations and motivations for becoming a writer. She offers specific advice to young writers ("write your heart out" and to read as often as they can. Oates touches on her first memories as a child and how the book, "Alice in Wonderland," had a profound affect on her life. She also examines her passion for running and illustrates how running feeds her mind and allows her to be very creative. Other essays discuss failure, inspiration (of other writers), how to read as a writer, the process of self-criticism, and a glimpse of Oates' writing studio. The interview was conducted shortly after Oates published her longest novel (752 pages) in 2000, "Blonde."
Representative Section/Excerpt:
(From "To a Young Writer"):
Write your heart out. Never be ashamed of your subject, and of your passion for your subject. Your "forbidden" passions are likely to be the fuel for your writing... What advice can an older writer presume to offer a younger? Only what he or she might wish to have been told years ago. Don't be discouraged! Don't cast sidelong glances, and compare yourself to others among your peers! (Writing is not a race. No one really "wins." The satisfaction is in the effort, and rarely in the consequent rewards, if there are any). And again, write your heart out.
(From "First Loves: From "Jabberwocky" to "After Apple Picking"):
There are two primary influences in a writer's life: those influences that come so early in childhood, they seem to soak into the very marrow of our bones and to condition our interpretation of the universe thereafter; and those that come a little later, when we are old enough to exercise some control of our environment, and our response to it, and have begun to be aware not only of the emotional power but the strategies of art.
Strength: This book is very inspirational and filled with models that can be used a "jumping off" points for writers in their own work. It can be a great tool to use in a classroom setting if a teacher prefers not to use writing triggers or prompts to engage the class in an exercise.
Weakness: A big weakness of this book is Oates' inability to dig deeper and reveal her main inspirations for writing. Although there are sections within the material that Oates' opens up and offers a glimpse of herself, overall, the book is about other people and their techniques/inspirations, etc.
Urgency Rating: Moderate; if you plan on teaching any genre of writing it can be useful in many ways, especially as models (versus triggers or prompts). The most useful parts were the following essays: "My Faith as a Writer," because it made me think about my own "faith" as a writer and think about my earliest memories of the importance of writing in my life; "To a Young Writer," because it is very inspirational/motivational--great advice from an accomplished writer; and "Reading as a Writer: The Artist as Craftsman," because it offers great advice about the craft of reading to expand knowledge in our own writing versus reading for enjoyment.
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